Reviewing Figurative Language in Fiction
Reviewing Figurative Language in Fiction
Objectives
This lesson builds on students’ understanding of the use of figurative language in fiction. Students will:
- demonstrate a clear understanding of figurative language by locating examples of simile, metaphor, personification, and alliteration and explaining how the use of figurative language impacts the meaning of a text.
Essential Questions
- Why learn new words?
- What strategies and resources do readers use to figure out unknown vocabulary?
- How do learners develop and refine their vocabulary?
Vocabulary
- Alliteration: The repetition of initial consonant sounds in neighboring words.
- Metaphor: A comparison of two unlike things, without using like or as.
- Personification: An object or abstract idea given human qualities or human form.
- Simile: A comparison of two unlike things, using like or as.
- Figurative Language: Language that cannot be taken literally because it was written to create a special effect or feeling.
Duration
90 minutes–2 hours, 15 minutes/2–3 class periods
Prerequisite Skills
Prerequisite Skills haven't been entered into the lesson plan.
Materials
- Simile books were chosen because they show solid comparisons of two unlike objects, using the words like and as. Students can easily define and identify examples of similes throughout the texts. Teachers may substitute other books to provide a range of reading and level of text complexity.
- The Girl Who Loved Wild Horses by Paul Gobel. Atheneum, 2001.
- The Little Island by Margaret Wise Brown. Doubleday Books for Young Readers, 2003.
- Nettie’s Trip South by Ann Turner. Aladdin, 1995.
- Everyone Knows What a Dragon Looks Like by Jay Williams. Aladdin, 1984.
- Owl Moon by Jane Yolen. Philomel, 1987.
- Metaphor books were chosen to show the comparisons of two unlike objects. Students will be able to see the sophistication it takes to craft a metaphor and understand the complexity it takes to develop their own metaphors. Teachers may substitute other books to provide a range of reading and level of text complexity.
- Through the Mickle Woods by Valiska Gregory. Little Brown, 1992.
- The Tale of Peter Rabbit by Beatrix Potter. Penguin Group, 2011.
- Kinda Blue by Ann Grifalconi. Little Brown, 1993.
- Tar Beach by Faith Ringgold. Dragonfly Books, 1996.
- Hide and Seek Fog by Alvin Tresselt. HarperCollins, 1988.
- Personification books were chosen because they exemplify easily identifiable abstract ideas that were personified through text and illustrations. Teachers may substitute other books to provide a range of reading and level of text complexity.
- The Little House by Virginia Lee Burton. Houghton Mifflin, 1978.
- Gilberto and the Wind by Marie Hall Ets. Puffin Books, 1978.
- Flossie and the Fox by Patricia McKissack. Dial Books for Young Readers, 1986.
- The Giving Tree by Shel Silverstein. HarperCollins, 2004.
- Sylvester and the Magic Pebble by William Steig. Little Simon, 2012.
- Alliteration books were chosen because the text was written to model the repetition of initial sounds in neighboring words. These books provide a clear understanding of alliteration and allow students to have fun with words while repeating the tricky tongue twisters. Teachers may substitute other books to provide a range of reading and level of text complexity.
- Clara Caterpillar by Pamela Duncan Edwards. HarperTrophy, 2004.
- Four Famished Foxes and Fosdyke by Pamela Duncan Edwards. Katherine Tegen Books, 1997.
- Some Smug Slugs by Pamela Duncan Edwards. Perfection Learning, 1998.
- The Worrywarts by Pamela Duncan Edwards. HarperCollins, 2003.
- student copies of the Exit Ticket assessment (L-6-1-3_Exit Ticket.doc)
- chart paper
- markers of various colors
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Final 03/01/2013